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Satellite

by Burdy

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MDonaldson (8sided.blog)
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MDonaldson (8sided.blog) The enchanting Satellite features Burdy’s sense of melody, sense of humor (“Murder Hornets,” anyone?), and his sense of style. Meaning, this is stylish stuff — pleasantly sloping beats, a rush of organic and electronic instrumentation, and vibes for days (or daze) make me wistful for when we used to pack dance floors with 100 BPMs and below. Start with the second track, “Kananaskis,” with its road-movie guitar, watery bounce, and cryptic chants, immediately pulling you in for the long haul. Favorite track: Kananaskis.
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1.
Give'r 05:26
2.
Kananaskis 04:19
3.
4.
The Heebs 03:52
5.
6.
Smush Jam 04:07
7.
Satellite 47 06:56
8.
9.
Proton Dub 07:21
10.
Oolong Time 03:45

about

After more than a fifteen year hiatus, Burdy is back with his first release since collaborating with former Sofa Surfers member I-Wolf on ‘Meet The Babylonians’ (Klein Records 2004), which followed his début solo album ‘42’ (Sunshine Enterprises 2002). However, Burdy’s roots in electronic began earlier in life.
Having been in bands as a guitarist and bass player in his youth, a burgeoning interest in hip hop and later house music led to Burdy starting out in the electronic music scene in Hull (UK) as a DJ in 1993. It was during these early days that Burdy met DJ and Producer Mark Blissenden aka Bliss - and the pair cofounded Baby Mammoth.
Over a span of 7 years, Baby Mammoth produced seven studio albums (plus a compilation) on the influential UK label Pork Recordings - home of Fila Brazillia, Bullitnuts, & The Solid Doctor. The prolific body of work encompassed the label’s ethos for experimentation in electronica, downtempo, blunted techno, drum & bass and broken beats.
During this period, Burdy & Bliss collaborated with a group of highly talented jazz musicians who influenced a number of tracks on their last three albums with Pork Recordings, to create a truly “live” version of the Baby Mammoth sound by removing all the sequenced electronics and re-arranging tracks to create drum forward, jazz expressions of their studio album work.
Baby Mammoth’s eighth and final album ‘Octo Muck’, was released in 2003 on Viennese record label Ecco.Chamber.
After a tongue-in-cheek challenge from a friend to “write a track by the end of January 2020”, Burdy found the impetus to resurrect a studio set-up and get back to work. As the year progressed, so did many more tracks until a soundscape began to appear which demanded to be compiled into an album. Filtered Deluxe Recordings proudly presents ‘Satellite’.

RIYL: Baby Mammoth, Fila Brazillia, Bent, Downtempo, Chillout, Leftfield Electronica, Dub, Ambient Atmospheres, Trip-Hop

credits

released January 29, 2021

Written and Produced by Burdy
Executive Producer Stereo 77
Mastered at Filtered Deluxe Recordings
Original Artwork by Christopher Kempton www.christophergkemptonfineart.com
Design by Bryan Covet

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Filtered Deluxe Recordings White Plains, New York

Filtered Deluxe Recordings is an independent record label created in 2016 by Stereo 77. Established in Orlando, Florida, but born from the Caribbean with the vision to release music with an underground and experimental foundation - heavily influenced by Afro-Caribbean rhythms, deep disco, funky beats & breaks, dub, and trip hop. ... more

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